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But whether "Boyfriends" is a practice in compassion or a personal anecdote, it's one of the most sonically stunning moments on the album. Styles' angelic harmonies, backed only by Ben Harper's acoustic guitar, recall the folksy allure of Simon & Garfunkel or Fleetwood Mac's "Landslide." Styles has always been a vibes-first, specifics-second songwriter — a formula that rarely benefits from speculation about his personal life. And it must be said that the slick, '70s vibes of "Cinema" are immaculate. It could've been inspired by Jar Jar Binks from "Star Wars" and I wouldn't care.
"Music for a Sushi Restaurant" is the most fun song Styles has ever released.
"Do you think I'm cool too? Or am I too into you?" The singer's fans believe this track to be about his girlfriend, actress and director Olivia Wilde. On "Matilda," Harry imagines the advice he'd give the protagonist from Roald Dahl's 1988 novel as an adult. Backed by delicately fingerpicked guitar, Harry weaves a story about dealing with family trauma, growing up and starting anew.
"Keep Driving" is stuffed with evocative lyrics.
“You don’t have to go home,” Styles sings on “Matilda,” an affecting ode to a friend who has faced neglect (and potentially worse) from their family and is trying to inch towards adult stability. Within the acoustic ballad, Styles listens to the story without inserting himself into it, and encourages as best as he can; that type of restraint works in the song’s favor, and “Matilda” creates emotional power with its gentle touch. If Fine Line offered blasts of euphoria, Harry’s House is more downright fun — a well-rounded, effervescent crowd-pleaser that exhales when past projects tried to gulp air.
Styles said he wrote "Cinema" on the treadmill because he wanted something that "felt really fun."
[…] I think everyone went through a big moment of self-reflection, a lot of navel-gazing, and I don’t know if there’s anything more navel-gazing than making an album. Then, on March 18, the youarehome account on Twitter started posting spoilers about the album daily, such as lyrics and themes on the album. Fans were speculating that a comeback would be nearby as in the first few weeks of March a website titled youarehome.co started appearing in various newspapers all around the world, like the Eroda Island was advertised for the promotion of Fine Line. The website showed a door slightly open with images such as the Earth, mushrooms and wallpapers turned upside down on the other side of the door.
Harry Styles album review: 'Harry's House' dazzles with funk, synths - USA TODAY
Harry Styles album review: 'Harry's House' dazzles with funk, synths.
Posted: Mon, 16 May 2022 07:00:00 GMT [source]
Its constantly pounding bassline is juxtaposed with Harry's breathy, distant vocals as he laments a love lost over a few bottles of wine. "I pay for it more than I did back then," Harry shares about his growing headache. "There's just no getting through / Without you / A bottle of rouge / Just me and you." If it's diaristic, open-heart-surgery-style music you're looking for, there are other artists who are happy to oblige. But if it's fistfuls of charisma and fruity allusions you're looking for, there's no one doing it like Styles. Instead, he disguised his homesickness as lovesickness, an ingenious solution that allows the song to resonate on several levels.
Styles’ third solo LP logs the biggest week for an album since Adele’s 30 debuted with 839,000 units (Dec. 4, 2021). While Styles has delivered plenty of tender moments, the storytelling and emotion of "Matilda" arguably helps it stand as his most thoughtful composition to date. Although it remains as an album cut, "Matilda" is further proof that Styles' has mastered the skill of making music that resonates with listeners — whether he's compelling them to shed tears or dance along.
And as one of two songs with more than 2 billion Spotify streams alone, "Watermelon Sugar" has also proven to be a Harry Styles classic. Harry Styles finally revealed the full track listing for his eagerly anticipated third album, Harry’s House, and it did not disappoint. The singer posted the 13-track rundown on Thursday night (April 29) in the form of a classic album jacket, with the songs split into two sides. Harry Styles first found commercial success more than a decade ago as a member of One Direction, but since the group split, he’s more than proved himself as a solo superstar.
My favorite thing about this album is while it’s so different, I think it was very much made with the same intent as Fine Line… I think it just felt like, from the first album, I think it wasn’t necessarily like a super commercial album.
Weekly charts
It was also noted there were official youarehome Twitter and Instagram accounts. “Grape Juice” is another song that talks about an emotional and physical hangover. “Late Night Talking” is another glittering song that talks about the feeling of being infatuated with someone. It also talks about wanting to spend every moment with one person, as Coup De Main reports. All three of Styles’ albums have now racked up at least 100 stays on the Billboard 200.
Harry’s House is Styles’ loosest, least fussy solo album to date, the sound of an artist in a rarefied pop star zone, comfortable in his environment and not having to worry about any unkempt corners of himself. Harry’s House was always destined for success on the Billboard charts, but it was kept alive, at least in part, by the incredible performance of its lead single. “As It Was” debuted at No. 1 on the Hot 100 and held there for 15 weeks, ranking as one of the longest-charting leaders of all time.
Multiple tracks on Harry’s House recall the dapper pop panache of Phil Collins’ ‘80s oeuvre, none more clearly than “Late Night Talking” — which sparkles above “Sussudio” synth chords and snappy percussion. Setting the tone for the album that follows, opener “Music for a Sushi Restaurant” downright struts — every choice here is loud and confident, from the outlandish romantic gestures in the lyrics to the horn jubilee that serves as a hook. If “Music for a Sushi Restaurant” is knowingly messy, Styles also understands the potential of a good freakout, as this track is guaranteed to slay when Styles plays it in concert. [Harry’s House is] more electronic in a lot of places than anything I’ve made, it’s also so much more intimate to me.
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